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    <lastmod>2019-04-12</lastmod>
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    <loc>https://www.optophono.com/news/2017/7/3/hello-thre</loc>
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    <lastmod>2017-07-05</lastmod>
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      <image:title>News - Optophono at V&amp;A Digital Design Weekend</image:title>
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    <loc>https://www.optophono.com/news/2017/7/4/calling-all-designers</loc>
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    <lastmod>2017-07-06</lastmod>
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      <image:title>News - Music and Design</image:title>
      <image:caption>Untitled, Charles Frederick Richards 2017 Marble and onyx 550mm x 400mm | Photographer: C.Richards</image:caption>
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    <loc>https://www.optophono.com/news/2017/7/6/our-logo</loc>
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    <lastmod>2017-07-10</lastmod>
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    <loc>https://www.optophono.com/news/2017/8/9/manifesto-for-digital-design-weekend</loc>
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    <lastmod>2017-08-09</lastmod>
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      <image:title>News - Manifesto for Digital Design Weekend</image:title>
      <image:caption>Other Optophono projects have stemmed from notated scores but have evolved in interactive formats. For example in 2013 we released an interactive version of the British composer Cornelius Cardew’s seminal work The Great Learning (Paragraph 7). This work is scored for choir, and recordings normally consist of a single performance by a choir. For our edition, however, we released three versions of ‘Paragraph 7’, including a two-channel video version and an interactive, software-based version. With the software-based version listeners could select which voices in the choir they wanted to hear, position these voices in the stereo field, determine the volume of each voice, and so on. If we have the capability of allowing listeners to create their own versions of recordings—which we do—and if we are able to release multiple versions of the same work, then why don’t we do this? The music industry has to catch up to the digital age. We don’t believe the answer to this lies in digital streaming or other means of delivering static recordings to passive audiences. Listeners today are musically sophisticated. An average listener has probably heard more music by the age of ten than the world’s most celebrated composers would have heard over the course of their lifetimes a century ago. Why don’t we tap into this vast musical intelligence?</image:caption>
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      <image:title>News - Manifesto for Digital Design Weekend</image:title>
      <image:caption>Scanner module from Pyramid Synth (2017) by Pasquale Totaro. © Pasquale Totaro.</image:caption>
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      <image:title>News - Manifesto for Digital Design Weekend</image:title>
      <image:caption>From this brief example we can already see that the concept of the musical work starts to break down. There is no fixed composition, and it’s unclear who the composer is, or whether there is a composer at all. Is the listener the composer? The software designers? The artists who contributed the audio tracks? Is this a collective composition? The usual categories of ‘composer’ and ‘listener’ simply do not apply. In our project Music for Sleeping and Waking Minds (2010-12) we also questioned the idea of the musical performer. In this composition music is generated by four people who wear EEG sensors and simply go to sleep. As they sleep and awaken over the course of one night their brainwave activity generates an eight-channel audio composition and visual imagery. Audiences are invited to experience the work in various states of attention including sleep and dreaming.</image:caption>
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  <url>
    <loc>https://www.optophono.com/news/2017/9/21/optophono-at-va-digital-design-weekend-2017</loc>
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    <priority>0.5</priority>
    <lastmod>2017-09-21</lastmod>
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      <image:title>News - Optophono at V&amp;A: Digital Design Weekend 2017</image:title>
      <image:caption>Pyramid Synth (2017) by Pasquale Totaro. The synthesizer that turns objects into sound.</image:caption>
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      <image:caption>Screenshot from OĀZE (2017) interactive sound map by Una Lee.</image:caption>
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    <lastmod>2018-01-19</lastmod>
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      <image:title>News - Launch of OAZE by Una Lee</image:title>
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    <lastmod>2018-04-08</lastmod>
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    <lastmod>2018-04-08</lastmod>
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    <lastmod>2018-04-28</lastmod>
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      <image:title>News - Optophono projects exhibited at Espace Niemeyer in Paris</image:title>
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      <image:title>News - Optophono projects exhibited at Espace Niemeyer in Paris</image:title>
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    <loc>https://www.optophono.com/news/2018/4/28/exhibition-view-of-territoires-familiers</loc>
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    <lastmod>2018-04-28</lastmod>
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      <image:title>News - Exhibition view of 'Territoires familiers?'</image:title>
      <image:caption>A view of the exhibition 'Territoires familiers' at l'Éspace Niemeyer in Paris, which featured Optophono works by Una Lee and Matilde Meireles. Photo by Huayra Llanque.</image:caption>
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    <loc>https://www.optophono.com/news/2018/8/30/optophono-london-design-fair</loc>
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    <lastmod>2018-08-30</lastmod>
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    <loc>https://www.optophono.com/news/2018/9/1/oaze-in-the-press</loc>
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    <lastmod>2018-09-01</lastmod>
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      <image:title>News - OAZE in the press</image:title>
      <image:caption>An installation view of OAZE at the 'Territoires Familiers?' exhibit in Paris, April 2018. Photo by Huayra Llanque. ©2018</image:caption>
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  <url>
    <loc>https://www.optophono.com/news/2018/9/6/launch-constructing-a-river</loc>
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    <lastmod>2018-09-06</lastmod>
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      <image:title>News - Launch: Constructing a River</image:title>
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  <url>
    <loc>https://www.optophono.com/news/2018/10/1/launch-for-constructing-a-river</loc>
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    <lastmod>2018-10-01</lastmod>
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      <image:title>News - 'Constructing a River' is launched!</image:title>
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      <image:title>News - 'Constructing a River' is launched!</image:title>
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      <image:title>News - 'Constructing a River' is launched!</image:title>
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      <image:title>News - 'Constructing a River' is launched!</image:title>
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      <image:title>News - 'Constructing a River' is launched!</image:title>
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      <image:title>News - 'Constructing a River' is launched!</image:title>
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      <image:title>News - 'Constructing a River' is launched!</image:title>
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  <url>
    <loc>https://www.optophono.com/news/2018/12/2/announcing-interactive-flux-edition-string-quartet-by-spencer-topel</loc>
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    <priority>0.5</priority>
    <lastmod>2018-12-03</lastmod>
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      <image:title>News - Announcing Interactive FLUX Edition: String Quartet by Spencer Topel</image:title>
      <image:caption>Mockup for STRING QUARTET by Spencer Topel. Image by Spencer Topel © 2018</image:caption>
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  <url>
    <loc>https://www.optophono.com/news/2019/3/15/acoustic-cities-london-amp-beirut-1</loc>
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    <lastmod>2019-04-17</lastmod>
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